
There's a neat little scene in High Fidelity, Nick Hornby's study of Rob, a record store-owning manchild who ranks his break-ups like pop charts. He's moping in the store, fabulously named "Championship Vinyl", when a woman comes in and asks "have you got any soul?", and he thinks:
That depends, some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly ... I can see she wouldn't be impressed with my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.
This was going to be a fun post about Spoon and Cold War Kids, two totally white, hipster bands who nonetheless slay me with the soul in their tunes. But I guess til I get my own internal stock control problems sorted, I gotta lean on their lean, sparsely made songs, with spare keys and a crack in the throat, to get my soul fix(ed).
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